MISSING POSTS
Monday, December 28th, 2009PRACTICE PORTAL is more or less back to normal. i’m still in the process of restoring the MP3 files. that will take some time for editing… in the switch to a new host for this site, several of the most recent posts were lost. fortunately the PDF’s were saved offsite so i will post those here. as for the commentary, if i can remember what babbled about, i’ll repost the it. for now, help yourself to the PDFs…

ABBEY LINCOLN w/ STAN GETZ- BIRD ALONE
ABBEY LINCOLN- BIRD ALONE (MELODY) (mp3)
ABBEY LINCOLN- BIRD ALONE (MELODY) (pdf)
STAN GETZ- BIRD ALONE (SOLO) (mp3)
STAN GETZ- BIRD ALONE (SOLO) (pdf)
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JOHN COLTRANE- SATELLITE
JOHN COLTRANE- SATELLITE (mp3)
JOHN COLTRANE- SATELLITE (pdf)
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MULGREW MILLER- ANOTHER TYPE THANG
MULGREW MILLER- ANOTHER TYPE THANG (mp3)
MULGREW MILLER- ANOTHER TYPE THANG (MELODY) (pdf)
MULGREW MILLER- ANOTHER TYPE THANG (SOLO) (pdf)
MULGREW MILLER- FOR THOSE WHO DO
MULGREW MILLER- FOR THOSE WHO DO (mp3)
MULGREW MILLER- FOR THOSE WHO DO (MELODY) (pdf)
MULGREW MILLER- FOR THOSE WHO DO (SOLO) (mp3)
MULGREW MILLER- FOR THOSE WHO DO (SOLO) (pdf)
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JOHN SCOFIELD w/ JOE LOVANO- SINCE YOU ASKED
JOHN SCOFIELD w/ JOE LOVANO- SINCE YOU ASKED (mp3)
JOHN SCOFIELD- SINCE YOU ASKED (MELODY) (pdf)
JOE LOVANO- SINCE YOU ASKED (SOLO) (pdf)
JOHN SCOFIELD- SO SUE ME
JOHN SCOFIELD- SO SUE ME (mp3)
JOHN SCOFIELD- SO SUE ME (pdf)
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GROVER WASHINGTON JR- MESSAGE FROM THE METERS
GROVER WASHINGTON JR- MESSAGE FROM THE METERS (mp3)
GROVER WASHINGTON JR- MESSAGE FROM THE METERS (pdf)
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26-2 STUDY
26-2 STUDY (pdf)
NARDIS STUDY
NARDIS STUDY (pdf)
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CEDAR WALTON- MOSAIC
CEDAR WALTON- MOSAIC (mp3)
CEDAR WALTON- MOSAIC (pdf)
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MISCELLANEOUS PATTERNS
MISCELLANEOUS PATTERNS (pdf)
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BODY AND SOUL DIATONIC TRANSPOSITION
BODY AND SOUL (pdf)
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ANDREW HILL
ANDREW HILL- REFUGE (mp3)
ANDREW HILL- REFUGE (pdf)
ANDREW HILL- PUMPKIN (mp3)
ANDREW HILL- PUMPKIN (pdf)
ANDREW HILL- GHETTO LIGHTS (mp3)
ANDREW HILL- GHETTO LIGHTS (pdf)
ANDREW HILL- BLACK FIRE (mp3)
ANDREW HILL- BLACK FIRE (pdf)


Lately i’ve been rereading a great book, the second part of Chester Himes’ two volume autobiography entitled “My Life Of Absurdity”. Himes, an awesome writer and contemporary of James Baldwin, Ralph Ellison, John A. Williams, etc., spent a large part of his adult life as an expatriate artist searching for and eventually finding a measure of success after leaving the U.S., where he was largely neglected. as the title suggests, Himes’ tale is one filled with enough adventure, humor, heartbreak and stories so bizarre that they test the limits of credulity. he speaks with gritty, bitter honesty about the lifestyle of expatriate black artists in postwar Europe. the first volume, “The Quality Of Hurt”, which deals with his life before leaving the states, is just as incredible. perhaps Himes and Mal Waldron have nothing more in common than spending the larger part of their artistic life living abroad. unlike Himes, Waldron didn’t want for work while in New York. he was busy as a leader and sideman before his departure. also, unlike Himes, he seemed to adapt to his new environment in Europe without too much difficulty… below are two of Waldron’s compositions from different points in his career. the first, “Fire Waltz”, is from the record,
I received a request from a friend here in tokyo for a transcription of Hancock’s song “Oliloqui Valley”, which comes from the his record, EMPYREAN ISLES. it features many of the same personnel from his more well known date, MAIDEN VOYAGE (Tony Williams, Freddie Hubbard, Ron Carter). this is a great recording that features what seem to be general sketches that the musicians are able to expand upon. it’s an excellent example of the post bop attitude- musicians who were willing and able to reference traditional styles as well as work at the boundaries of free playing with confidence and authority. what i love most about this record is how relaxed and assured it sounds… “Oliloqui Valley” is built off of a vamping bassline under a piano figure and a simple four note melody by Hubbard. the song then moves into a short improvised passage. the whole passage is repeated before it moves into the blowing section. the chords are related by color more than anything else. Hancock plays a great solo, the right hand of which is transcribed below…
